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So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
£3.50 Purchase this item from Pentreath & HallSo inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Printed in England.
Dimensions: Length 70cm x Width 48cm.
View Details
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
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Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
View Details
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
View Details
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
View Details
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
View Details
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
View Details